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Collective exhibition, « Urban Immersion » / October to March 2026

  • 5 days ago
  • 2 min read

Recycler, transformer, révéler.


From October to March, Parcelle473 presented Urban Immersion, a collective exhibition bringing together 19 artists around a theme deeply rooted in the museum’s DNA: recycling and the transformation of urban materials.


Nothing here was fixed. The exhibition unfolded like a living organism, evolving over time. New works gradually enriched the journey, reshaping the spaces and shifting perspectives. Coming back more than once meant discovering a different exhibition each time.


Je n'ai de maternelle que la langue - Miss. Tic - Collection Lelia Mordoch

First room of exhibition of the museum


At the heart of the project: material itself.

Burned wood, metal panels, industrial fragments, reclaimed objects, pieces of urban furniture, materials once destined to be discarded… Everything that makes up the city became a surface for creation. What was meant to disappear regained presence, strength, and story.


Je n'ai de maternelle que la langue - Miss. Tic - Collection Lelia Mordoch

Openning of Urban Immersion


Urban Immersion questioned our relationship with the environment and with consumption. What do we do with what we produce? What story does an abandoned object carry ? Can it still hold memory, poetry, or even critique ?


Through paintings, assemblages, and installations, the exhibition explored art’s ability to transform the ordinary. Recycling was not simply about reusing it was about diverting, reinventing, elevating. Turning constraint into creative ground.


Je n'ai de maternelle que la langue - Miss. Tic - Collection Lelia Mordoch

Installation by the artist Voglio Bene.


Set within a former wine estate that has become a contemporary urban art museum, this reflection took on a particular resonance. The place itself embodies a second life. Urban Immersion extended that philosophy: restoring meaning, creating dialogue between past and present, nature and city, memory and contemporary creation.


More than an exhibition, it was an invitation to look differently at what surrounds us. To see in what we discard not an ending, but a beginning.

 
 
 

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